LARGER THAN ME | solo exhibition at Kathrin Cawein Gallery of Art

by Tyler Brumfield

The Kathrin Cawein Gallery of Art is proud to present LARGER THAN ME, and exhibit by Tatyana Ostapenko from Feb. 7 to March 4. Ostapenko is a contemporary painter and a muralist whose art practice is deeply influenced by her experience as an immigrant, as well as by her formative years in the economically and socially unstable environment of post-Soviet Ukraine.

Opening Reception: 

There will be a virtual artist talk on  3:30 p.m. Wednesday, Feb. 9,  accessible via Zoom: https://pacificu.zoom.us/j/99550768151
The exhibit is held at the Cawein Gallery in Scott Hall on the Forest Grove Campus. The reception is also In-person attendees must follow campus COVID-19 protocols.



Artist's Statement: 

Tatyana Ostapenko makes contemporary history paintings that record the daily lives of people who don’t usually make it into official historical records. She memorializes the middle children of progress and history, her fellow former Soviet citizens as painting subjects. Old women in flowered kerchiefs, leggy damsels desperate for glamour, indomitable middle-aged women dragging heavy bags to the bus stop march across her expressive magical realist canvases.

A distinguishing feature of her artwork is the juxtaposition of realistic rendering and bold abstract paint application. Having started her artistic journey as a street photographer, Ostapenko uses photographic references and digital collage to generate ideas and compositions. She employs a combination of web sourced amateur photographs, her friends’ family archives, and pictures she has taken during her travels in post-soviet Ukraine. Her painting process is intuitive and open-ended, and while she uses photo collage as a starting point, the finished paintings largely deviate from the source material. Her painting practice is a process of exploration of both materials and subject matter, and her loose and violent mark-making allows for unexpected discovery at the end of each brushstroke. 

The resulting paintings are an inaccurate record of the everyday history of a distinct flavor with a particular voice that is not often heard either in the West, nor in its homeland. Using specific, yet transformed images of her native country, Ostapenko explores the universal themes of human experience: resilience, empathy and humor in the face of adversity.

Artist's Biography: 

Due to her personal history and the collective histories of the former Soviet Union citizens, Ostapenko always comes back to the themes of trans-generational trauma and the gender inequalities that persist in her country of origin as well as in the U.S. She uses images from her native Ukraine to speak about universal human experiences with emphasis on empathy and resilience in the face of adversity. 

Her paintings have been exhibited in regional, national and international museums, galleries and art fairs. She has received professional development grants from the Regional Arts and Culture Council and the Oregon Arts Commission. Her artworks have been purchased by public, corporate and private collections, including the city of Seattle and Stumptown Coffee HQ. 

Ostapenko was born in the Soviet Union and raised in Ukraine. She lives in Portland, and holds a BFA in Studio Practice from Portland State University.

Exhibition Info: 

LARGER THAN ME will run from Monday, Feb. 7 until Friday, March 4. The Cawein Gallery of Art is open Monday through Friday, from 10 a.m. to 5 p.m., and follows the Pacific University academic calendar regarding holidays and closures. In-person attendees must follow campus COVID-19 protocols.

The exhibition is also available to viewed by appointment. To make an appointment, please send an email to brum1878@pacificu.edu.


Source: https://www.pacificu.edu/about/media/large...

Blind Insect Gallery featuring Russian speaking artists in Portland, Oregon

Three Graces oil and acrylic on canvas 20x36 inches 2020 Available

Three Graces
oil and acrylic on canvas
20x36 inches
2020
Available

BARRIO RUSO: artist block party on NE Alberta

On July 29th, we are excited to present the third installment of BARRIO, a gathering of culture, sounds, flavors, and art. This month Blind Insect Gallery is featuring Russia. Under the umbrella of Russian-speaking artists, the culture that comes forth is unique and diverse in its roots.

As the third installment of this project, we’re going to feature the artworks by the Russian artists Aleksandra Apocalisse, Igor Snigirev, Inna Pustakhanova, Oksana K, Oleg Kash, Tatyana Ostapenko, Anya Mironets, Goni Na Lyubov, and Yana Golberg.

We will explore the sounds of Russian musician and songwriter Irina Myachkin and dance music with the Dj Zhenya. Fools House Art Collective will be bringing us a uniquely immersive experience via theater. @housefoolofart

This BARRIO We are bringing together the flavors of Russia via a participatory style pot luck. We will be happy to see your version of a Russian tapas to share with the community.

All are welcome to come and explore culture and art with the Blind Insect Gallery. Opening Reception and event runs from 6:30pm - 9:00pm on Thursday, July 29th at Blind Insect Gallery.
— https://www.instagram.com/p/CRPMhuiB8f-/?utm_source=ig_web_copy_link

PORTLAND OPEN STUDIOS 2020



Portland Open Studios Tour


This is the first year I am participating in the Portland Open Studios tour. During this city wide annual event that takes place on the second and third weekends of October, more than 100 artists open their studios to the public. Any other year there would be a tour map that sends you all around town to get an intimate look at the creative spaces and processes of the local makers. And you’d discover new neighborhoods and a new favorite coffee shop or a brewpub along the way.

Connecting with artists in their studios gives you the unique opportunity to gain a deeper understanding of their art and where it comes from
— https://www.travelportland.com/events/portland-open-studios/


With this year's challenges, the tour had to adapt and go online just like so many other cultural events have already. At first I was pretty bummed because I was so looking forward to welcoming visitors into my space, showing my paintings, talking about my ideas and process. And as the year went on and pretty much all of my art presentation was happening exclusively online, I realized that there are great advantages to a virtual open studio tour.

Advantages of virtual artist studio tours


For one, I could invite my friends and collectors from all over the world to participate. I absolutely love my Portland art community. It has been nurturing and supportive ever since I started my journey as a painter 7 years ago. But I always want to take my art to other places, both nationally and internationally, so what a better opportunity to do it in a novel and intimate format of an open studio tour.

Talk about open: Open to the whole world! I love it.


⁠⠀

Technical Challenges and Solutions

I moved studios just a few months ago and while I love this space, it presents a few challenges. The main one is that there is no natural light. And coming from a large industrial loft with a wall of windows, it's quite a change. There was a lot of trial and error. I finally figured out how to light my work space properly just to discover that what is more than sufficient for painting, is woefully dark for video. 


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It feels like an eternity since the last time I installed a show, and I can't wait to get all these small but mighty ladies up on my studio wall. It is so much fun to see them all together.

Installing artwork: A wall of babushkas

I am often so consumed by my projects and ideas, always working toward something new, pushing forward, that I forget to take a step back and take it all in. And installing artwork for this event gave me the opportunity to spend time with all these paintings and just be in their presence. It’s been a great experience, and new ideas and connections I haven’t noticed before emerged as a result.

You might wonder how long it took me to install this wall and honestly I didn’t count the hours, and it didn’t take days. Having curated a gallery for a few years, I have a lot of experience installing shows. My process might appear haphazard, but in reality it’s just a very intuitive approach to artwork installation. I hang shows the way I paint: I respond to the subjects and materials: I don’t think, I just move. And the same way as I am not afraid of mistakes on a painting (there is always more paint!) I am not concerned about trying a layout just to find out it doesn't work (there is always putty for the walls and more nails in the box.)

Here’s a little sneak peek of the Babushka Wall. Please forgive my less than stellar camerawoman skills. I recorded this while picking up the camera on the tripod and moving the whole cumbersome contraption around. Which made me realize something I never thought I would have to do, but: I have to buy a selfie stick for the official IG Live event! Yup, a selfie stick. They have stabilizers, so it will be less bumpy and woozy when I move around the studio.

How shaky is my camera work? 😅

Visit my studio virtually with IG Live



And you can see them all together, from afar and up close and personal if you tune into my IG Live on October 18th at 1pm Pacific Time. I am @postsovietart on Instagram. Here’s a link to my account and if you follow me, you’ll get a notification when the livestream begins.

You have to have an Instagram account to watch the broadcast. If you don’t or aren’t available at that time, send me an email contact@tatyanaostapenko.com and we’ll set you up with your own private studio visit.

But hurry, this orderly and well organized wall of babushkas will descend into the usual chaos of a working artist studio shortly after this Sunday open studio tour. 🙃


GROW OVERWINTERING VEGETABLES IN THE PACIFIC NORTHWEST: PLANT IN THE SUMMER - EAT ALL WINTER

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BETTER THAN THE PRODUCE AISLE

Overwintering chard is seriously off to the races!

So grateful to live in this mild Mediterranean climate where sturdy vegetables can grow through the winter without any special accommodations.

The only tricky thing for winter growing here in Oregon is having to start seeds in the heat of our super dry rainless summer.

I start mine in re-used nursery six packs, keep them in a shady spot and water twice a day until they are ready for transplant. And all the fuss is so worth it because this way I get to eat fresh chard, sprouting broccoli and all manner of collards and kale all through the winter.

It's especially awesome to have fully grown vegetables in the garden at this time of year when we are just planting new crops and the new harvest is still at least a month away.

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FRESH CARROTS ALL WINTER LONG

45 pounds of overwintering carrots from one 4x8 ft garden bed.

🥕🥕💪🏾⁠ ⁠

Clearing out the weeds, I mean, erosion control cover crops, and getting ready to sow Korean radish (Kimchi! 🥢) and peas. ⁠ ⁠

I feel so fortunate to have my community garden nearby. Portland is such a fantastic place for growing food year around.⁠ ⁠ Is it warm enough where you are to start spring plantings? ⁠ ⁠ 🌱

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FOOD NOT LAWNS

What was your first instinct once you realized just how serious and far reaching this pandemic was going to be? Did you also rush to extend your vegetable growing domain?! ⁠

My household's response to the impending apocalypse was a run to a lumber store to get rough cut cedar to add extra garden beds to the back yard. ⚒️⁠

We are glad we did it 4 weeks ago because everyone in our neighborhood had the same idea just a week ago and the store has been sold out for a while now.⁠

It didn't rain too hard today so we braved extension cords outside and build us two 10 ft by 3 ft garden beds. Not that hard to do, but now I gotta transfer 2 cubic yards of dirt from the driveway to the beds in the back yard. ⁠

I got a nice new wheelbarrow, but it's still gonna be hard work. But it's so worth it!⁠


🥕🌱⁠

What was your first instinct once you realized just how serious and far reaching this pandemic was going to be? Did you also rush to extend your vegetable gr...